St Oswald
Tile Hill, West Midlands | CV4 9PL
Grade II listed church by Sir Basil Spence.
Search for a fascinating place to visit, or see the variety of churches, chapels and meeting houses we have supported.
Tile Hill, West Midlands | CV4 9PL
Grade II listed church by Sir Basil Spence.
Bingley, Yorkshire | BD16 2RH
 The first records of the church indicate it was rebuilt some time after 1066 by the Lord of the Manor, William Paganel, who gave it, with other possessions of his, to Drax Priory in the time of Archbishop Thurstan (1119–1140).
We have supported this church
Farthingstone, Northamptonshire | NN12 8EZ
It will be primarily the late 19th and 20th century stained glass that will draw you to this small medieval church at the centre of this handsome ironstone village.
Fawsley, Northamptonshire | NN11 3BS
A romantic church that stands alone, shorn of its former medieval village, looking out across the Capability Brown landscape of 1760’s toward Fawsley Hall, the seat of the Knightley family and now a country hotel.
We have supported this church
Denton, Greater Manchester | M34 6AD
St Lawrence's is a timber framed church that at the most conservative estimate dates from 1531.
We have supported this church
Hardwick, Norfolk | NR15 2AB
On the lanes just south of Shelton, Hardwick's little church is a contrast to its elegant neighbour.
Great Moor, Greater Manchester | SK2 7QE
St Saviour's offers an oasis on Great Moor.
Ickleton, Cambridgeshire | CB10 1SL
The exterior of St Mary's is a pleasing, rather homely mixture of roofs and walls clustered around a central tower and spire.
Denston, Suffolk | CB8 8PP
It is difficult to believe that this beautiful and well cared for church was neglected for many years.
Offerton , Cheshire | SK2 5AG
We have supported this church
Pulham Market, Norfolk | IP21 4TD
A flint church dating from the 14th century in a delightful Norfolk village and cared for by a vibrant church community.
We have supported this church
Thirkleby, Yorkshire | YO7 2AT
By the renowned 'rogue' architect EB Lamb in 1851 and described by Pevsner as ‘a veritable riot of forms, perverse and mischievous’, with interesting monuments and stained glass and standing in a tranquil setting in open countryside.