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Step into St Mary’s, an oasis of calm amidst Belfast's bustling streets.

Rare seven sacrament font and beautiful angels in the roof.

The tradition of music lives on in this cathedral, where sound has resonated through its halls for generations. 

This is a superb example of the work of William Butterfield (1814-1900) who designed almost the whole of the village of Baldersby, under a rich commission from Viscount Downe.

Although Great Snoring is actually smaller than Little Snoring, its church is bigger and less rustic, reminding us quietly that it was once grander.

Nestled in Belfast’s historic docklands, this unique church is a tribute to the city’s rich maritime heritage. With artifacts like the HMS Hood bell, once a protector of naval fleets, now rung each Sunday, the church’s interior beautifully reflects Belfast’s seafaring legacy.

Great Walshingham is much smaller than its neighbour Little Walshingham, which gets all the attention because of the shrine and other buildings associated with Our Lady of Walshingham.

Dating from 1849, the building was extended and reconfigured in 1909 to a design by St John Phillips.

On the lanes just south of Shelton, Hardwick's little church is a contrast to its elegant neighbour.

The first church was built on this site in 1815 and was the second Catholic church built since the Reformation in the city of Belfast.

The church of All Saints at Londesburgh is an historians treasure; a wonderful historic building with a plethora of intriguing artefacts and associations with the great and the good.

In spite of the eclectic origins of its many parts, St Oswald's significance lies it its alterations and accumulation of features over time including Norman font and walls, 13th century windows, 15th century chancel and furniture by Thompson (the Mouseman).